Ill-fitting costumes and tight-fitting dresses. Pumpkins and apples. Rejection, more rejection, and finally, self-acceptance. Take a peek into three of Kyra’s past selves as she navigates Halloween in a fat body.
Tate Fountain is back to review a new piece of work from choreographic artist Jessie McCall—’I Get So Emotional Baby’. There’s an ominous white rug, a slumber party/bunker and three woman in shifting forms. Find all this and more under the cut.