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The Ocean Dome
In Miyazaki, Japan, 1993, the Ocean Dome’s retractable roof slid open and the sun bathed the artificial landscape. For Billie Angus, the Ocean Dome still stands as an enduring presence on the periphery—their feet buried in its sand.
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Local Immortals
Gay blackmail, bloodshed, and… art? Kate Wilkinson-Smith’s bad apple debut is a ghost story, not a love story.
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Trying to Know ‘Only the Stars Know Where I’ve Been’
‘Only the Stars Know Where I’ve Been’ is a being newly born into the world. Jane Smolira writes of trying to know the work and asks choreographer Jake Starrs about his thoughts and hopes for the season.
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Late-Night Thoughts on the Intimacies of Queer Friendship
Late-night thoughts on the intimacies of queer friendship uncovered by Georgie Llewellyn through making ‘Cowboy Dreaming’ with their two wonderful friends.
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Raving 17,736 km from Berlin
On the cusp of launching a new show, ‘The Butterfly Who Flew Into The Rave’, choreographer Oli Mathiesen jotts down some thoughts about creating this work.
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Swallow Your Grief!
A house slides down from its perch on a cliff and a departed pet is kept in a cake-shaped box in the freezer in this essay from Gurleen Minhas.
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Hopeful Things
In their bad apple debut Aroha Witinitara returns to the trenches of childhood to reflect on adulthood and deliver an optimistic message to their younger self.
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Colville
gorm hendo returns to summers of their youth, running around topless and exploring barefoot and unsupervised in this essay ‘Colville’.
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GROUPIE LOVE
Devon Webb reflects on her experience with groupie culture in Pōneke, the sexism ingrained within the music scene and the essential artistry of being a fan.
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manual focus
kī anthony reflects on childhood trauma and adult agency, as a photographic subject and photographer.