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In 200 Minds — A Response
In review of Katie Shaw’s ‘In 200 Minds’ gorm hendo contemplates the idea of intention vs. interpretation and pulls out unexpected threads of art from their own life.
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Daddy Issues Have Never Looked So Good in ‘Losing Face’ — A Response
Jake Tabata gets stuck in a time loop of race, sexuality, love and fatherhood in his review of Nathan Joe’s new theatre show ‘Losing Face’.
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Henchmen — A Review
In her review of ‘Henchmen’, Samantha Cheong sneaks into the lair (mailroom) of the monolithic Evil Corporation. Find out if this theatrical foray into humdrum corporate life was truly worth the time spent, or if Samantha ended up broke.
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The Most Naked — A Review
Hannah Tasker-Poland’s essay ‘A Body of Art’ published earlier this week peeled away the layers of performance to describe the the creation of ‘The Most Naked’. Now, Tate Fountain too peels away layers as she reviews the work in action at Q Theatre.
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That Champion Glow — A Review of ‘Champions’
What will you do to become a champion? $50,000 and a straight hot to stardom is on the line. Four hopefuls vying for the prize discover what it really takes to ‘make’ it in the art world that is ‘Champions’ by Isabella McDermott.
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Man Lessons — A Review
A room of possibility with a sense of uncertainty pervading the air. ‘Man Lessons’ had our reviewer Mik Breitenbach weighing up reality and finding lessons in skewing linearity.
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Queer Bogan Love (At the Wintergardens)
Two mates trekking it from Featherston to Tāmaki Makaurau with nothing but a dream, some stubbies and a Swandri. Reviewer Sophie Jackson went along for the bogan ride that is ‘Jez & Jace: Lads on Tour’.
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She’s Crowning: Rebirth — A Review
Starting the night eating mini Oreos and ending it with ‘eating the rich’, Peter Burman and Murdoch Keane give reviewer Tate Fountain a taste of royalty in ‘She’s Crowning: Rebirth’.
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Night and Mortar — A Review
Night and Mortar takes the stage on a stormy night in Grey Lynn and Alex de Vries sits at a fold-out table with a drink to nurse ready for the performance to unfold.
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Black Creatives Aotearoa Playwrights’ Lab
Eight plays, four directors and 14 actors. The Black Creatives Aotearoa Playwrights’ Lab Showcase overflowed with talent and potential. Tate Fountain reports on the day’s events.
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I Get So Emotional Baby — A Review
Tate Fountain is back to review a new piece of work from choreographic artist Jessie McCall—’I Get So Emotional Baby’. There’s an ominous white rug, a slumber party/bunker and three woman in shifting forms. Find all this and more under the cut.
Tag: theatre
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