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Space Invaders — A Response
Among many 40-something women with glasses of various wine, Natasha Hope-Johnstone heads into see Nicola Brown’s comedy show ‘Space Invaders’. Here, Natasha writes of her intergalactic experience.
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Interrupting Cow — A Response
Esteemed playwright Mickey Delahunty takes to the stage once again, this time with sister Catherine Delahunty and Ari Leason, to present a show for an absolutely absurd show. Isabelle Hoskyn went along to see if ‘Interrupting Cow’ would make her think or rofl.
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The Perfect Image — A Response
Malory Campbell provides a snapshot of their experience with Sam Brooks’s Auckland Pride-featured play, ‘The Perfect Image’. A workplace romance with a white boy, what could go wrong?
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Realm of Tears — A Response
Zech Soakai is invited into Rewa Fowles ‘Realm of Tears’ at Basement Theatre, where an exploration of self-discovery and self-reflection fills the room. He writes of the experience as a kindred tangiweto.
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In a Dunedin loft we paint oceans
Jessica Hinerangi offers forth this poetic response to the Mana Wāhine workshop run by Savannah Kerekere and Michael-Lydia Winiana for Dunedin Fringe Festival 2024.
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Panic! At the Buffet — A Response
After a long Wednesday with an evening chill settling in, Isla Thomas finds herself in Inch Bar, settling in for a night of comedy thanks to Taylor Ruddle and his show ‘Panic! At the Buffet.’
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Only the Stars Know Where I’ve Been — A Response
In this response to ‘Only the Stars Know Where I’ve Been’, Dani Yourukova is spirited away to a place where time is measured differently.
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Leave to Enter — A Response
Reporting from Dunedin Fringe Festival, Nicola Brown reviews fellow comedian Nick Robertson. In his show, ‘Leave to Enter,’ Nicola meets characters like Mario the Uber driver and learns why ‘Scooby Doo’ (2002) is the best film of all time.
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Koroseta — A Response
Danielle Kionasina Dilys Thomson is taken back to her aunty’s kitchen, laughing along with cousins, in this review of Taute Vaai’s ‘Koroseta’.
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REDUNDANT — A Response
Auckland Pride lives on in this review of Jess Karamjeet’s comedy show, ‘REDUNDANT’ from Sanjana Khusal. Sex, songs, humour and redundancy—all you could ask for.
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Texas Chainsaw Massacre — A Response
Confronted with the durational work interpretation of Josiah Morgan’s book ‘Texas Chainsaw Massacre,’ Alex de Vries tries to experience the moment.
Category: review
In a dream, you saw a way to survive, and you were filled with joy.
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