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Hayley Sproull’s Ailments — A Review
“A dead kidney, a weak bladder, a full beard and a uterus shaped like the devil—Hayley Sproull’s body is a constant source of mild disappointment.”. In her NZ International Comedy Festival show, Hayley shares all this and more, so we sent along Tate Fountain to get the full list of Ailments.
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Show Ponies — A Review
In an absolute marathon of reviewing, Tate Fountain tackles Auckland Pride x samesame but different’s premiere of Show Ponies in Tāmaki Makaurau. Glitz, glamour and poems galore. The energy is very correct.
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The Teaches of Peaches Anniversary Tour — A Review
Back in Aotearoa with a lesson she teaches, damn right, it’s Peaches. Review Tate Fountain gets walked all over at the The Teaches of Peaches Anniversary Tour at Auckland’s Powerstation.
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She’s Crowning: Rebirth — A Review
Starting the night eating mini Oreos and ending it with ‘eating the rich’, Peter Burman and Murdoch Keane give reviewer Tate Fountain a taste of royalty in ‘She’s Crowning: Rebirth’.
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Black Creatives Aotearoa Playwrights’ Lab
Eight plays, four directors and 14 actors. The Black Creatives Aotearoa Playwrights’ Lab Showcase overflowed with talent and potential. Tate Fountain reports on the day’s events.
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I Get So Emotional Baby — A Review
Tate Fountain is back to review a new piece of work from choreographic artist Jessie McCall—’I Get So Emotional Baby’. There’s an ominous white rug, a slumber party/bunker and three woman in shifting forms. Find all this and more under the cut.
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Silo Theatre’s ‘The Writer’ — A Review
Swallowed whole by Q Theatre’s Rangatira, Tate Fountain experiences the Silo Theatre premiere performance of Ella Hickson’s ‘The Writer’. Like a lady on fire, she paints a portrait of the evening.
Author: Tate Fountain
In a dream, you saw a way to survive, and you were filled with joy.
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