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Realm of Tears — A Response
Zech Soakai is invited into Rewa Fowles ‘Realm of Tears’ at Basement Theatre, where an exploration of self-discovery and self-reflection fills the room. He writes of the experience as a kindred tangiweto.
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like animals.
Jedidiah Vinzon writes of the awkward instance of having to come out in the middle of a romantic rendezvous at home. With the added stress of a conservative family.
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In a Dunedin loft we paint oceans
Jessica Hinerangi offers forth this poetic response to the Mana Wāhine workshop run by Savannah Kerekere and Michael-Lydia Winiana for Dunedin Fringe Festival 2024.
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Panic! At the Buffet — A Response
After a long Wednesday with an evening chill settling in, Isla Thomas finds herself in Inch Bar, settling in for a night of comedy thanks to Taylor Ruddle and his show ‘Panic! At the Buffet.’
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Only the Stars Know Where I’ve Been — A Response
In this response to ‘Only the Stars Know Where I’ve Been’, Dani Yourukova is spirited away to a place where time is measured differently.
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april is for poets
kī anthony introduces Global Poetry Writing Month and shares a little about their personal practice.
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Leave to Enter — A Response
Reporting from Dunedin Fringe Festival, Nicola Brown reviews fellow comedian Nick Robertson. In his show, ‘Leave to Enter,’ Nicola meets characters like Mario the Uber driver and learns why ‘Scooby Doo’ (2002) is the best film of all time.
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Koroseta — A Response
Danielle Kionasina Dilys Thomson is taken back to her aunty’s kitchen, laughing along with cousins, in this review of Taute Vaai’s ‘Koroseta’.
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REDUNDANT — A Response
Auckland Pride lives on in this review of Jess Karamjeet’s comedy show, ‘REDUNDANT’ from Sanjana Khusal. Sex, songs, humour and redundancy—all you could ask for.
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From the Editor — A 2024 Reflection
Lead editor Damien Levi tries to sum up bad apple’s 2024 in retrospect, with a selection of ten pieces to read over the summer.
In a dream, you saw a way to survive, and you were filled with joy.
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