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Ngā Reta — A Response
Elise Sadlier attends Basement Theatre’s first fully te reo Māori production, ‘Ngā Reta’. She writes in response to fellow Gizzy Girl / Te Wānanga Takiura tuakana Te Huamanuka Luiten-Apirana.
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Finding Your Fest: Brooke Soulsby’s Verb Picks
Brooke Soulsby gets stuck into the Verb Readers and Writers Festival 2024 programme and tries to make a plan to tackle as many events as she can.
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A Slow Burlesque with Freya Silas Finch
Ahead of opening night this week, Tate Fountain sat down to interview Freya Silas Finch about their Silo Theatre production ‘A Slow Burlesque’.
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Holy Ghost — A Response
Isabelle Hoskyn headed along to Hollywood Avondale to check out this year’s Day One short film line-up, here she writes of a stand out piece, ‘Holy Ghost’.
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Hau’ofa, E. (1994)
For ‘future ANCESTORS’, Josh Toumu’a draws close the sea of islands of Epeli Hau’ofa—finding points where their waters met.
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Delightfool — A Response
Jak Darling and Booth the Clown’s ‘Delightfool’ helps Sazzok connect to joy and laughter in the face of crisis.
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Love, death, church, and werewolves
This poem from Scout is a guilty reflection on the hyper-intensity of a relationship which was supposed to be casual and the tendency to look for salvation in the things that kill us fastest.
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An Interview with Laura Vincent on Hoods Landing
Shot, Sappho members Holly-Blue Bercu and Anuja Mitra interview Laura Vincent about her debut novel, ‘Hoods Landing’.
In a dream, you saw a way to survive, and you were filled with joy.
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