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Interrupting Cow — A Response
Esteemed playwright Mickey Delahunty takes to the stage once again, this time with sister Catherine Delahunty and Ari Leason, to present a show for an absolutely absurd show. Isabelle Hoskyn went along to see if ‘Interrupting Cow’ would make her think or rofl.
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The Perfect Image — A Response
Malory Campbell provides a snapshot of their experience with Sam Brooks’s Auckland Pride-featured play, ‘The Perfect Image’. A workplace romance with a white boy, what could go wrong?
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Texas Chainsaw Massacre — A Response
Confronted with the durational work interpretation of Josiah Morgan’s book ‘Texas Chainsaw Massacre,’ Alex de Vries tries to experience the moment.
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Before Karma Gets Us: Magic, Chaos, and Clowns
Magic, dance, music, monologue and everything else in between. gorm hendo is left in stitches from laughing in this review of ‘Before Karma Gets Us’.
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The Bloom — A Response
We first sent Tate Fountain to review Jessie McCall’s work back in 2022. Now in 2024, McCall has a new work, ‘The Bloom’ as part of the Auckland Pride Elevates. Naturally, we sent Tate along to see the artistic evolution.
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Scale the Face — A Response
After catching ‘Is This All That You Had In Mind?’ last September, Samantha Cheong builds out the Mum’s Sugar Club theatrical universe with this review of ‘Scale the Face’.
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Late-Night Thoughts on the Intimacies of Queer Friendship
Late-night thoughts on the intimacies of queer friendship uncovered by Georgie Llewellyn through making ‘Cowboy Dreaming’ with their two wonderful friends.
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Dr. Drama Makes a Musical: Prescribing a dose of excitement to you!
In this review, writer Stella Roper details the highlights and insight from the live performance show: ‘Dr. Drama Makes a Musical’! Prepare to get on the edge of your seats and enjoy a sing-along through the history of musical theatre, from the early days of the art form to its important place in today’s world.
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Raucous Punk Music and an Unsettled Ghost, This Is Chick Habit!
Ahhhhhhhh! Reviewer Jake Tabata gets loud in his review of Nuanzhi Zheng’s latest production, ‘Chick Habit’.
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Basket Case — A Response
It’s vive la révolution at Basement Theatre. The French revolution is at its peak and review Tate Fountain is dodge the guillotine to provide us insight into the black comedy that is ‘Basket Case’.
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How to Throw a Chinese Funeral — A Response
How does one write about being Chinese? Samantha Cheong reflects on identity through review of Jill Kwan’s ‘How to Throw a Chinese Funeral’.
Tag: theatre
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