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Revisiting Black Faggot with Victor Rodger
Nathan Joe chats with fellow playwright Victor Rodger via Zoom about the recent current re-staging of the latter’s ‘Black Faggot’, and it’s persisting relevance in our cultural landscape.
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Speed is Emotional — A Response (In Which I Make it All About Myself)
Kitty Wasasala parallels Jo Randerson in asking questions on the neurodiverse human experience in this personal response to ‘Speed is Emotional’.
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My Clowns, My Circus — A Response
Hannah Jamieson finds Janaye Henry and Sean Dioneda Rivera are fully committed to the bit when she heads along to ‘My Clowns, My Circus.’
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Antonio! — A Response
Rebecca Mary Gwendolon has a raucous time at ‘Antonio!’—a musical that perhaps was made specifically for them.
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The Art of The Review—How to Review Theatre with Sam Brooks
Hannah Jamieson had the rare opportunity to sit down and learn about the art of reviewing from Sam Brooks. Here, she notes some takeaways.
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Speed is Emotional (and So Am I)
Liz Breslin sits down over Zoom to chat with Jo Randerson about their upcoming ‘solo’ show, ‘Speed is Emotional’ that will be visiting Te Waipounamu soon.
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From Another Woman — A Response
Hannah Jamieson on ‘From Another Woman’, the newest theatrical offering from Sam Brooks featuring the compelling talent of Renaye Tamati.
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Kaikaranga of My Dreams — A Response to ‘What Happened to Mary-Anne?”
Kitty Wasasala wants to follow Brady Peeti—the kaikaranga of their dreams— into a rock waiata future as they respond to ‘What Happened to Mary-Anne?’.
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Ngā Reta — A Response
Elise Sadlier attends Basement Theatre’s first fully te reo Māori production, ‘Ngā Reta’. She writes in response to fellow Gizzy Girl / Te Wānanga Takiura tuakana Te Huamanuka Luiten-Apirana.
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ANTi — A Response
Dani Kionasina wraps herself in the world of Keagan Carr Fransch through ‘ANTi’, a one-woman play exploring the layered elements of personhood.
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A Short History of Asian New Zealand Theatre — A Response
In an attempt to distil some of the expansiveness that is Nathan Joe’s new theatre work ‘A Short History of Asian New Zealand Theatre’, Sherry Zhang pens this self-reflective response essay.
Tag: theatre
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