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May Mga Uod Ang Tak Mo — A Response
Nuanzhi Zheng worms her way into Sean Rivera’s head to understand his solo show, ‘May Mga Uod Ang Tak Mo’, and why all Asians wanna do is talk about death.
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Let It Die : Chye-Ling Huang on puppetry, woodcarving and Buddhism
Naomii Seah chats with Chye-Ling Huang about her upcoming puppetry show, ‘Let It Die’. They touch on woodcarving, cycles, philosophy and of course, puppets.
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A Rich Man — A Response
Hannah Jamieson responds to the latest theatrical production from Sam Brooks, ‘A Rich Man’.
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Mary: The Birth of Frankenstein — An Interview with Jess Sayer
Josiah Morgan hits an array of topics in this conversation with ‘Mary: The Birth of Frankenstein’ creator, Jess Sayer. Obscure play references, lightning, the invention of the bicycle and a bit about the production, too.
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My Puppet Who Sighs in Pearl Shavings — A Response
Brooke Soulsby considers, imagines and interprets the debut show from Landfish Productions, ‘My Puppet Who Sighs in Pearl Shavings’.
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Revisiting Black Faggot with Victor Rodger
Nathan Joe chats with fellow playwright Victor Rodger via Zoom about the recent current re-staging of the latter’s ‘Black Faggot’, and it’s persisting relevance in our cultural landscape.
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My Clowns, My Circus — A Response
Hannah Jamieson finds Janaye Henry and Sean Dioneda Rivera are fully committed to the bit when she heads along to ‘My Clowns, My Circus.’
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Antonio! — A Response
Rebecca Mary Gwendolon has a raucous time at ‘Antonio!’—a musical that perhaps was made specifically for them.
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The Art of The Review—How to Review Theatre with Sam Brooks
Hannah Jamieson had the rare opportunity to sit down and learn about the art of reviewing from Sam Brooks. Here, she notes some takeaways.