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Double Goer — A Response
The stage at Q Theatre’s Loft is laid thick with adornment for Sarah Foster-Sproull’s ‘Double Goer’, a dance production of duplication. Tate Fountain has been held in its haze and writes of the experience.
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Scale the Face — A Response
After catching ‘Is This All That You Had In Mind?’ last September, Samantha Cheong builds out the Mum’s Sugar Club theatrical universe with this review of ‘Scale the Face’.
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Dr. Drama Makes a Musical: Prescribing a dose of excitement to you!
In this review, writer Stella Roper details the highlights and insight from the live performance show: ‘Dr. Drama Makes a Musical’! Prepare to get on the edge of your seats and enjoy a sing-along through the history of musical theatre, from the early days of the art form to its important place in today’s world.
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Tom Sainsbury’s ‘Gone Bananas’ — A Review
An outing to Tom Sainsbury’s latest comedy venture, ‘Gone Bananas’ isn’t as fruitful as Alex de Vries thought it would be. He shares his thoughts on unexpected slip-up.
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Hayley Sproull’s Ailments — A Review
“A dead kidney, a weak bladder, a full beard and a uterus shaped like the devil—Hayley Sproull’s body is a constant source of mild disappointment.”. In her NZ International Comedy Festival show, Hayley shares all this and more, so we sent along Tate Fountain to get the full list of Ailments.