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Body Story — A Response
Nuanzhi Zheng stretches her response to Xin Ji’s ‘Body Story’ to consider queerness, Chinese identity, family and whether the body truly keeps the score.
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In the Body — A Response
Theo Coles attend’s Redwood Reider’s ‘In the Body’ and spreads roots out into the queer soil of this poetic forest.
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The Cyborg Manifucksto
Alexandra ‘Sascha’ Stronach isn’t saying she wants to fuck a roller coaster, she just gets it, okay? Hear her out.
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To You, My Whānau, My Mokopuna
In a new addition to the future ANCESTORS kaupapa, Felix Stribling writes of feeling out of place as a Māori American and as a queer person.
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Ngā Reta — A Response
Elise Sadlier attends Basement Theatre’s first fully te reo Māori production, ‘Ngā Reta’. She writes in response to fellow Gizzy Girl / Te Wānanga Takiura tuakana Te Huamanuka Luiten-Apirana.
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A Slow Burlesque with Freya Silas Finch
Ahead of opening night this week, Tate Fountain sat down to interview Freya Silas Finch about their Silo Theatre production ‘A Slow Burlesque’.
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Gay god
Theo Coles writes of the world that has sunk its teeth in, of the heartbroken poets, of the peach, ocean blue and pink aliveness of a gay god.
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i wonder
Chris Girven wrote this poem after having an existential crisis on their bedroom floor.
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How to Throw a Chinese Funeral — A Response
How does one write about being Chinese? Samantha Cheong reflects on identity through review of Jill Kwan’s ‘How to Throw a Chinese Funeral’.
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Daddy Issues Have Never Looked So Good in ‘Losing Face’ — A Response
Jake Tabata gets stuck in a time loop of race, sexuality, love and fatherhood in his review of Nathan Joe’s new theatre show ‘Losing Face’.
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Pikitia for Sad Tamariki
Time for a reo Māori lesson with Nicola Andrews. Kupu hou o te rā? Takatāpui.
Tag: identity
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