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Double Goer — A Response
The stage at Q Theatre’s Loft is laid thick with adornment for Sarah Foster-Sproull’s ‘Double Goer’, a dance production of duplication. Tate Fountain has been held in its haze and writes of the experience.
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Only the Stars Know Where I’ve Been — A Response
In this response to ‘Only the Stars Know Where I’ve Been’, Dani Yourukova is spirited away to a place where time is measured differently.
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Satisfaction of Touch (A Response to ‘Our Jurisdiction’)
Eliana Gray tries to move along “through spaces of physical reality and psychological stipulations,” in this review of dance work ‘Our Jurisdiction’.
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Trying to Know ‘Only the Stars Know Where I’ve Been’
‘Only the Stars Know Where I’ve Been’ is a being newly born into the world. Jane Smolira writes of trying to know the work and asks choreographer Jake Starrs about his thoughts and hopes for the season.
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The Butterfly Who Flew Into The Rave — A Response
Through the unce unce unce of ‘The Butterfly Who Flew Into The Rave’, Elise Sadlier pulls together some thoughts about the endurance-based dance work.
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Raving 17,736 km from Berlin
On the cusp of launching a new show, ‘The Butterfly Who Flew Into The Rave’, choreographer Oli Mathiesen jotts down some thoughts about creating this work.
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In 200 Minds — A Response
In review of Katie Shaw’s ‘In 200 Minds’ gorm hendo contemplates the idea of intention vs. interpretation and pulls out unexpected threads of art from their own life.
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Tepidarium
A ballerina going through heartbreak seeks solace in a spa, the water healing, soothing. The twist in the tail is that she is performing the leading role of Ondine, a mermaid, this season, and there are many resonances between her situation and the heroine’s.
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Night and Mortar — A Review
Night and Mortar takes the stage on a stormy night in Grey Lynn and Alex de Vries sits at a fold-out table with a drink to nurse ready for the performance to unfold.