-
All That We Know — A Response
In this response piece, Elise Sadlier finds her way through Shilo Kino’s “All That We Know”, seeing elements of herself and the world she inhabits in its pages.
-
A Short History of Asian New Zealand Theatre — A Response
In an attempt to distil some of the expansiveness that is Nathan Joe’s new theatre work ‘A Short History of Asian New Zealand Theatre’, Sherry Zhang pens this self-reflective response essay.
-
Fun Home — A Response
Liz Breslin drives 356km from Ōtepoti to Ōtautahi to experience the Court Theatre production of ‘Fun Home’ and then drives 356km home to write about it for us.
-
The Tiwhas: A Matariki Spectacular — A Response
As part of Basement Theatre’s Matariki offerings, Ayla Brockes headed along to ‘The Tiwhas: A Matariki Spectacular’ and wrote of their experience.
-
Only Bones – Daniel Nodder — A Response
In a new interpretation of Thom Monckton’s ‘Only Bones’ prompt, Daniel Nodder presents a work of physicality. Emily Draper writes of the thriving monster in this response.
-
Tarot by Jake Arthur
Dani Yourukova lays out the spread of Jake Arthur’s sophomore collection ‘Tarot’, divining its secrets to share with you, dear queer reader.
-
Toxic Shock Bimbo — A Response
On a rainy night in the New Zealand International Comedy Festival, Rebecca Mary Gwendolon heads along to ‘Toxic Shock Bimbo’. There, they get to enjoy the comedic talents of Rhiannon McCall.
-
Red, White and Brass: The Play — A Response
ASB Waterfront Theatre is transformed into Tonga’s number one supporter with its staging of ‘Red, White and Brass: The Play’. We sent Danielle Kionasina Dilys Thomson along and she reports back with her heart feeling full.
-
Hector — A Response
Hannah Patterson attends Cadence Chung’s sophomore play, ‘Hector’, where men carrying the name meet in unexpected ways.
-
Pick ‘n’ Mix 2 — A Response
Pick ‘n’ Mix offers up a veritable cornucopia of laughs. Our writer Rebecca Mary Gwendolon along to get the sweet, sour and salty deets.
-
The Handlers — A Response
Te Pou Theatre becomes the Crown Lynn factory floor in Poata Alvie McKree’s ‘The Handlers’. Tate Fountain responds to her time with the play, sitting with its themes under burnt-orange ’70s lights.
Category: review
In a dream, you saw a way to survive, and you were filled with joy.
SUBMISSIONS
Send us your work!
find us on:
