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Ngā Reta — A Response
Elise Sadlier attends Basement Theatre’s first fully te reo Māori production, ‘Ngā Reta’. She writes in response to fellow Gizzy Girl / Te Wānanga Takiura tuakana Te Huamanuka Luiten-Apirana.
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Delightfool — A Response
Jak Darling and Booth the Clown’s ‘Delightfool’ helps Sazzok connect to joy and laughter in the face of crisis.
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Horizons — A Response
Rebecca Mary Gwendolon visits an often passed but never entered space and reignites an old passion in this response piece to the Voices New Zealand performance ‘Horizons’.
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ANTi — A Response
Dani Kionasina wraps herself in the world of Keagan Carr Fransch through ‘ANTi’, a one-woman play exploring the layered elements of personhood.
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There’s Something About Motherhood
Joy manifests on the stage for Jake Tabata, sat in the third row of Liv Tennet’s ‘For You To Know And Me To Find Out’ and watching it all unfold.
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A Short History of Asian New Zealand Theatre — A Response
In an attempt to distil some of the expansiveness that is Nathan Joe’s new theatre work ‘A Short History of Asian New Zealand Theatre’, Sherry Zhang pens this self-reflective response essay.
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Fun Home — A Response
Liz Breslin drives 356km from Ōtepoti to Ōtautahi to experience the Court Theatre production of ‘Fun Home’ and then drives 356km home to write about it for us.
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The Tiwhas: A Matariki Spectacular — A Response
As part of Basement Theatre’s Matariki offerings, Ayla Brockes headed along to ‘The Tiwhas: A Matariki Spectacular’ and wrote of their experience.