-
A Reflection on Hector
In the lead up to the staging of her second play, ‘Hector’, Cadence Chung reflects on the process, the inspiration and creating art with their friends.
-
-
Being both
For our ‘future ANCESTORS’ collection, Jo Bragg considers what it means to be someone standing in many different worlds.
-
Pick ‘n’ Mix 2 — A Response
Pick ‘n’ Mix offers up a veritable cornucopia of laughs. Our writer Rebecca Mary Gwendolon along to get the sweet, sour and salty deets.
-
The Handlers — A Response
Te Pou Theatre becomes the Crown Lynn factory floor in Poata Alvie McKree’s ‘The Handlers’. Tate Fountain responds to her time with the play, sitting with its themes under burnt-orange ’70s lights.
-
ScatterGun: After the Death of Rūaumoko — A Response to Ana Chaya Scotney
Liam Jacobson sits earthy, grounded, in Ana Chaya Scotney’s world of atua and tūpuna. They’re let in and the wairua flows and the grief floats up like bubbles in a muddy hot pool.
-
Double Goer — A Response
The stage at Q Theatre’s Loft is laid thick with adornment for Sarah Foster-Sproull’s ‘Double Goer’, a dance production of duplication. Tate Fountain has been held in its haze and writes of the experience.
-
No Time to Dry — A Response
Emily Draper sneaks behind enemy lines at Basement Theatre, hiding in plain sight as part of the audience for Lucy Dawber’s ‘No Time to Dry’. Here, she reports back with all the intel gathered on her mission.