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Only the Stars Know Where I’ve Been — A Response
In this response to ‘Only the Stars Know Where I’ve Been’, Dani Yourukova is spirited away to a place where time is measured differently.
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april is for poets
kī anthony introduces Global Poetry Writing Month and shares a little about their personal practice.
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Leave to Enter — A Response
Reporting from Dunedin Fringe Festival, Nicola Brown reviews fellow comedian Nick Robertson. In his show, ‘Leave to Enter,’ Nicola meets characters like Mario the Uber driver and learns why ‘Scooby Doo’ (2002) is the best film of all time.
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Koroseta — A Response
Danielle Kionasina Dilys Thomson is taken back to her aunty’s kitchen, laughing along with cousins, in this review of Taute Vaai’s ‘Koroseta’.
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REDUNDANT — A Response
Auckland Pride lives on in this review of Jess Karamjeet’s comedy show, ‘REDUNDANT’ from Sanjana Khusal. Sex, songs, humour and redundancy—all you could ask for.
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Texas Chainsaw Massacre — A Response
Confronted with the durational work interpretation of Josiah Morgan’s book ‘Texas Chainsaw Massacre,’ Alex de Vries tries to experience the moment.
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Jodie Comer Reads a Love Letter from Vita Sackville-West to Virginia Woolf
This villanelle from Mary Craigg is for everyone. From the people who enjoy reading horny letters between long-dead Modernists, to those left aggrieved by that terrible ending to ‘Killing Eve’.
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PEER REVIEW
In response to Mx. Well’s ‘Gender Marxist’ at the Dunedin Fringe Festival, Liz Breslin pens a prose poetry piece where academic overthinking meets academically titled comedy.
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Amma by Saraid de Silva
kī anthony and their sibling explore rage, alienation, and their own fraught family through Saraid de Silva’s ‘Amma’.